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Theresa Greene's avatar

In a harbor safely

Swans love on their family

They don't care where they are

Water is where they keep their little stars

The future is bright for cygnets

Water is where they will set

But will man let them be

Or pollute the great blue sea?

And turn the earth into a stinking mess

With angry old men who think less

about saving the climate for the future

Whose egos make them big moochers

They take and take and take some more

their greed has no bottom floor

Where is a world conceived in love

That benefits people and turtledoves

All the animals God made

Many of which man made fade

So when you see the hope of Swans

What can we do to help them, mon?

Thank you , Writer Pilgrim

Theresa Greene's avatar

Thank you, David !

Theresa Greene's avatar

Thank you, Marpy !

Theresa Greene's avatar

Thank you, Bill !

Marpy Hayse's avatar

I fell in love with this scene after a bit of research. The story literally flew into the screen...

****************

The Last Voyage of Elias Crowe

The *Mary Agnes* groaned like an old navvy after a double shift, her hull patched so many times she was more scar than wood. Elias Crowe sat on the stern, knuckles white and swollen with arthritis on the tiller, watching the family of swans glide past. The cob led, neck arched proud, while the pen stayed close to her three gray cygnets. Faithful. Returning year after year to the same stretch of cut.

“Bloody show-offs,” he muttered, the words rough as gravel in his throat.

He’d spent fifty years shifting earth and water, never one for softness. A man proved himself with his back and his silence. But the ache in his chest these days wasn’t just the damp or the bad leg a crushed lock gate had left him. It was Whitsunday, sixty-odd years back, and the girl with flour on her sleeves bringing hot pie to a crew of half-wild diggers.

*Agnes.*

She’d smiled at him - him, a filthy, mud-caked brute - and he’d only grunted, too busy being tough.

The leak in the bilge was worse today, the pump humming its tired song. The engine coughed like it had consumption. Any sensible man would tie up for good.

Instead, Elias cast off.

The Chesterfield Canal seemed to notice. A gentle current caught the *Mary Agnes*, pushing her northward easier than she deserved. In the water beside her, the swan family kept pace. The cob turned its dark eye toward him. Guiding.

Elias laughed once, a cracked sound. “Alright then, you lot. Lead on if you’re so keen.”

Night fell heavy on the cut. Elias’s hands shook on the winch as he worked a lock that should have fought him. Instead, the paddles rose smooth, water rushing like it remembered his younger arms.

In the black mirror of the lock, the reflection showed not a stooped old man, but a broad-shouldered lad standing beside a laughing girl holding a steaming pie tin.

The swan family rested nearby, the cob preening the pen’s feathers. Elias sat on the deck, flask in hand, bad leg stretched out.

“Never said it, did I?” he spoke into the night. “Thought feelings were for landlubbers and poets. Now look at me - chasing a ghost down a ditch because this old heart won’t let me rest.”

A cygnet drifted closer. Elias reached out slowly; it didn’t flee. For the first time in decades, the lump in his throat had nothing to do with coal dust.

By late afternoon the next day, the *Mary Agnes* limped around the final bend like an old warhorse scenting home.

Whitsunday Pie Lock appeared. The black wooden sheds stood steadfast under string lights. The old cottage, now a modest tearoom, carried the faint buttery scent of baked crust.

And there she stood.

Silver hair pinned neatly, apron dusted with flour, eyes holding the same sunlight he’d carried for a lifetime.

Elias killed the engine. The *Mary Agnes* settled against the bank with a grateful sigh.

He climbed ashore awkwardly. “Agnes,” he rasped. “It’s me. Elias Crowe. From the diggin’ days. I took the long way round, but I’m here.”

She smiled. “I know who you are, Elias. Took your sweet time, didn’t you?”

The dam broke.

“I never said it,” he blurted, meeting her gaze. “That Whitsunday. You brought the pie… and looked at me like I was a man. I wanted to speak. But men like me - we keep our mouths shut. Thought feelings were weakness.” His voice cracked. “I named the boat *Mary Agnes* after you. My dear Agnes. A secret I carried across every mile because I was too proud and too scared. I loved you then. I love you still, if this old wreck has any right. This was my one last voyage… to tell you proper.”

He didn’t fight the tears when they ran down the deep lines of his face.

Agnes stepped forward and cupped his weathered cheek, pulling him into a fierce embrace.

“Oh, you great daft, stubborn fool,” she whispered, laughing through tears. “I waited years wondering why you never said more than a grunt. I baked extra pies hoping you’d linger just five minutes more.” She held him tighter, their warmth soaking through damp wool and years of silence. “The canal brought you home, Elias. Look - even brought an escort.”

Off the stern, the swan family glided in a slow circle. The cob and pen floated neck-to-neck, watching with calm approval as their cygnets played in the ripples. A bright orange lifebuoy glowed softly on the dark shed wall - a promise the water would take no more from him.

For the first time in eighty hard years, Elias Crowe wasn’t drifting. He was moored. He was home.

🦢🚤❤️

Bill Ferguson 🇨🇦's avatar

A Dignified Reaction

“Oh look!” a voice called out. The tourists on the water bus all turned and looked out the open window.

“Snap, Snap,” went the shutters on the cameras.

“Over here,” voices called out.

"Look at us,” said another.

“They are so cute," squealed a third voice.

A dinner roll was tossed and landed with a splash near the geese family who, up to that point, had been peacefully going about their business. The adult’s heads snapped around at the splash before they swam, dignified, in the other direction.